The Names

For the children of Lebanon lost to war

 

The children were buried along with their names,

linked vowels and consonants curling up close

to the stiff small torsos laid out in a silent line,

a reminder despite death of who they still were.

The names tried to comfort the children, but they

too were terrified of the bombs that had wrested

the children’s souls from their bodies in a fireball

of anguish. They knew there was no protection

from the missiles that stole lives, ripping the language

of home from crushed stone houses and sheared-off

apartment buildings sliced open to air or flattened

in layers like card houses collapsed on themselves.

 

The names knew what they held, and who held them.

They had promised to accompany the children

through life and after, voicing their essence

and being, their singular beauty; affirming their legacy,

their family belonging. This was the only certainty

they could offer. But certainty is not safety, and there

was no escaping danger: not even in the grave

where there was nothing left to lose. The bombs

that killed the children savaged the cemeteries,

those homes of the dead, shattering headstones

with their loving inscriptions, gouging craters

deeper than graves into the desecrated earth.

The letters so carefully etched into stone flew

in bits to the air along with the bone fragments

blasted from earth that showered down in a ghastly

rain, settling like a shroud on the broken land,

broken syllables scattered, names reduced to a wail.

 

We link soul to body with names, celebrating birth,

anchoring the long, longing journey through life,

sealing the promise of remembrance after death. 

Once the body is gone, names have at least a hope

of lingering. But where shall we find the names

of the smallest dead?  The news hardly holds space

for adults, much less children, though there are occasional

mentions, names limp like newly-killed bodies stripped

of memory. Fatima Abdulla, age 9, her light eradicated

by an exploding pager that mangled her face, bloodying

her mother’s kitchen. Rimas, Taline, and Lianne Chour,

14, 12, 10, incinerated in their family car by an Israeli missile

that zeroed in on them as they fled, seeking safety,

a place to hide, another breath, a handful of hope.

 

And what of the hundreds more killed, names lost

to deepest absence, the children ignored by news

that does not recognize their deaths, their too-short lives?

I want to write letters to these children, follow them

beyond death, keep them alive even as the bombs

continue to fall. I want to tell them stories about the forever

they will always occupy in our hearts, the sunlight

that will never forget them. But I have no name

or address for their soul lights, those small sparks

ffluttering like birds above our sorrow, watching us.

 

I want to weave a cloth of gauze for the littlest dead

from the names their parents gave them at birth, the stories

and laughter that followed: a cloth sheer and delicate,

fragile enough to let light through, strong enough

to bear what cannot be held, what is torn to darkness;

to interlace their names into the haze of memory,

so that their faces gleam past death, shine as they did

when their mothers called them to lunch or homework

or a dear relative visiting, uttering the simple names

that held them safe in the weave of love, that tapestry

rich with the impossible daily broken promise of life.  

Lisa Suhair Majaj

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